Holy fuck this setup is nuts. And I never knew Josh played with PJ Harvey. Cool.
Totally want one of these.
James Wilsey posted this on his Facebook page yesterday. Pretty cool!
All of the Stratocasters I used in over 13 years playing with Chris Isaak.
I started with the black one, it’s a 1966 I purchased in Missouri for $200. When we got a record out and started to tour, I got the sunburst 50s made in Fullerton. They never quite matched very well sound wise, the sunburst was always darker sounding.
In 1987 I decided to retire those and go with a matching pair of reissues. I talked to my friends at Fender and had them hold the next two white 62 reissues. I got them to be less concerned about wear and tear (and potential loss) I’d be facing on the road again. And I wanted two that matched better sound wise, and might as well match the color too.
I went down to Fullerton and picked them up in the warehouse, it was a fun day. The guitars were really nice and sounded great. I could not tell them apart. In the studio, I did a A/B test of the new guitars against the old ones. The new ones sounded better by unanimous vote.
I recorded the next album with the new white guitars, “Wicked Game” used one of them, not sure which.
In this one he discusses his ’59 Tele, goes through some of the settings on his Princeton amp and finally pulls out his signature Custom Shop Telecaster–one of just two done in “semi-orange.” Also shows off some of his favorite chords. Watch!
This guy scored a fairly butchered ’66 Tele off Craigslist and did a full restoration himself. Check out the epic photo thread on TDPRI. Amazing workmanship!
I actually got this MIM Standard Tele a few weeks back, but am finally posting pics now. I bought it off Craigslist for $275. This is the guitar I should have bought first when I started playing again–instead of the cheap Chinese Tele (which I recently gave away). It’s rock solid, has a great sound. On the whole, I’d say it’s slightly better quality than my Blacktop Tele–especially the pots. I’m half considering putting on a vintage bridge and maybe a black pickguard, but I think I’ll play it stock for a while. All I’ve done so far is put on new strings–D’Addario 10-52s (light top, heavy bottom). Pics after the jump with my Blacktop Tele and my Robert Cray Strat.
Back in January I linked to some very cool pics from the PRS factory in Stevensville, Maryland. So how about some pics from the Fender factory tour in Corona, California? These were shot on an iPhone by Strat Talk member gerryl98 and posted over on Strat Talk. From the post:
…we toured the metal shop where we [saw] them punch out the pickguards, control plates, and amp housings, the area where they CNC the bodies and neck, the area where they skunk stripe the necks, press the frets, trim the fret ends, contour sanding and finish sanding, pickup and pots soldering, and the custom shop!!
From what I remember the inspection is done by employees that are guitar players and then goes to final inspector before it gets sent out. They said they produce about 500 American Fender guitars a day and about another 15 in Jacksons, Charvels and EVH. What’s interesting is that the tour guide said each guitar takes a total of about 8 hours labor but about 2 weeks to complete because of wait times. I think he said drying after painting was several days…might have been 10.